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For years, the Super Bowl halftime show has been treated like a national stage. Not just a concert, but a cultural signal. Whoever headlines that show isn’t just performing. They’re being elevated as a representation of where American entertainment has been, and in some ways, where it’s going.

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In 2019, that totally changed.

That was the year the NFL partnered with Jay-Z and Roc Nation to help oversee and produce the halftime show under the banner of “social justice” and cultural inclusion.

The New York Post:

This week, the NFL, with its $42 million-per man at the wheel, committed another act of putting up while shutting up. It named Jay-Z and his entertainment/rep company Roc Nation to “enhance the NFL’s live game experiences and to amplify the league’s social justice efforts.” Jay-Z also will contribute to and supervise Super Bowl halftime acts.

Of course, having named the fabulously wealthy and popular rapper its “social justice” monitor, no one from the NFL — certainly not Goodell — would dare read the lyrics of the scores of numbers that have brought Jay-Z his fame, fortune and, now, NFL-assigned social justice muscle.

They can’t. Jay-Z’s work is anathema not just to social justice but minimal common decency. In fact, his “artistry” profits from, promotes and perpetuates every negative, values-twisted stereotype of urban black male life.

His are seldom songs of caution, protest or hope. Quite the contrary. But you name it, Jay-Z has cashed in on it.

Basically, Jay Z is the richest DEI employee on earth. It was sold as a modernization effort. A correction for past mistakes and a way to make the league more reflective of the country’s progressive edge.

But since that shift, the deviant and anti-white pattern has been very noticeable.

There hasn’t been a single white solo headliner of the Super Bowl halftime show in the years since Roc Nation took creative control.

https://twitter.com/EndWokeness/status/2020693767217627502

And that raises an obvious question: what does “inclusion” actually mean when the biggest stage in American entertainment moves in only one direction?

Matt Walsh:

Jay Z took over producing the Super Bowl halftime show in 2019. Since then, white performers have been banned from the show. There hasn’t been a single white headliner at the Super Bowl in 7 years, with the lone exception of Eminem who performed alongside Dr. Dre, Snoop, Kendrick Lamar and other black artists.

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At the same time, the vibe of the halftime shows has become much more explicit, way more provocative, and family-friendly than the league once promised. Sure, that may energize younger audiences, and it may get some extra buzz here and there, but it also narrows what used to be one of the last unified cultural moments that we had left in this country.

And that brings us to yet another uncomfortable reality.

Jay-Z isn’t just a billionaire producer. He’s a man who has faced serious allegations in the past, allegations of child rape that made huge headlines and then quietly disappeared when a civil suit was mysteriously dropped.

Meanwhile, in other corners of American politics and entertainment, random accusations alone are enough to permanently stain reputations. Just ask President Trump.

NPR:

Jay-Z, the rapper whose real name is Shawn Carter, was accused of drugging and raping a 13-year-old girl, allegedly along with Sean “Diddy” Combs, in 2000, according to a civil lawsuit filed in federal court on Sunday.

The anonymous plaintiff, identified as “Jane Doe,” said the assault took place at an MTV Video Music Awards after-party.

According to the accuser, an unidentified female celebrity stood by and watched Combs and Carter take turns raping the minor, and no one at the party attempted to stop the assault.

NBC News was the first to report the accusations against Carter. The lawsuit was initially filed in October in the District Court of the Southern District of New York, with Combs named as a defendant. It was refiled on Sunday to include Carter.

The suit was suddenly dropped a year ago, leaving many whispering about the possibility of a secret behind-the-scenes deal.

But that’s not all. There’s also the disturbing rumors tying Jay-Z to the Epstein files.

Trump Girl:

Jeffrey Epstein’s newly released files name Jay-Z as a sick predator who DRUGGED and R@PED multiple women — and was literally naked in the room with Harvey Weinstein. This monster still walks red carpets and runs empires in the music industry. How many more victims have to suffer before Hollywood burns? The “conspiracy crowd” tried to warn us… and we mocked them. Never again.

Here’s a close-up of the image:

Image

Yet, despite all of this dark, shadowy stuff, Jay Z is romping around like he doesn’t have a care in the world.

So what exactly is happening here?

Is the NFL expanding its cultural reach, or has it handed one of the most visible stages in the country to a single ideological gatekeeper who is nothing more than another DEI puppet on a mission for his masters?

You be the judge…

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